Saturday, November 30, 2013

Some updates

Here's some recent work, in no particular order:

Horseshoe Crab. Pen on paper. November 2013

Dragons. Motif for CAD textile class. Drawn with vectors in KaledoPrint 64. 2013

Dragonsnail and Lunerguner. Pain pens on glass, mounted on matt board with kraft paper. Summer 2013

Chimera. In progress. Pencil on paper. Fall 2013

More design work for CAD

And more

And here's some repeat design ways using the above dragon motif. This came in upside down for inexplicable reasons. Fall 2013.

More!

I'll try to update again 'round the end of the semester.

Cheers!

Wednesday, August 7, 2013

Completed Tattoo from My Design





About a year ago I was commissioned to make a tattoo design of a Clark Gable-esque fellow in dapper dress, with a blackbird atop his hat, and a flock of birds passing in the background. 

The two images from left to right are the designs I created for the commisioner, and the photo on the right is the final result!

Tattoos!

I drew the designs, but I did not make the tattoo. It was done by an artist in Amsterdam, where the commissioner lives. 

Drawings are in ballpoint pen and india ink on Reeves BFK

Friday, August 2, 2013

Website Goes Live

Hello everyone!
My website is officially live, complete with store.
Please go check it out: www.ceialambert.com

In other news, I'm going to be writing a blog post reviewing the books I've read this summer around about mid August. So be looking for that. I do this because I can, and because there are excellent books that deserve excellent accolades and because I want book recommendations from you, my lovely readers. Get ready!

Here's a picture:


An old drawing from 2009 that became a screen print. I have no idea how I did this and can't yet figure out how to replicate it. 

Friday, July 19, 2013

Eastern Screech Owls

Eastern Screech Owls. Triptych. Each 8.5'' x11''. Ballpoint pen, ink pens, oil paint pens, and colored pencil on toned paper. Done on commission. 2013. 

Also, my website re-vamp is live! There's still some construction going on, but head over there and check it out. The portfolio is up and running!

www.ceialambert.com 

Tuesday, July 9, 2013

Elk Wine

A design for a wine bottle label.

Working on some new stuff to be uploaded soon. :>

Thursday, May 30, 2013

Advanced Illustration Classwork...


Ink and Marker on Pastel Paper. 8.5''x11''


Ink on Paper then manipulated in Photoshop CS6


Ink on Paper then manipulated in Photoshop CS6

Yep! When I free up some time I'll try to blog about my amusing observations regarding my personal taste preferences and the areas in which I am and am not the target market of advertising. Sneak Peek: I react to advertisements selling vacuum cleaners by salivating with desire; I react to advertisements for Axe Body Spray as though I am developing bowling ball sized hemorrhoids. 



Wednesday, May 1, 2013

Osprey

Curating the photos and video from the gallery is taking a little while. Soon!
In the meantime, here's a scratchboard work I made as the cover for my Ornithology field journal.

Not that I have time to become obsessed with any more media, but I really enjoyed this and will hopefully make more scratchboard work in the future.
There is a seasonal osprey nest near where I live and this past weekend I biked out and watched both parents tending to it. Cool birds!

Thursday, April 25, 2013

Features and a Promise

Hello friends!

I promise I will have a series of exciting updates of my work over the next month or so. As the semester comes close to being over I find myself needing to be careful of how I budget my time.

Coming up:
-Pictures and Video from my gallery installation Selfish.
-Illustrations I have made for my ornithology class.
-Work in Progress investigations using stippling.
-Possible details of a summer showing.

In the meantime, please enjoy this artist feature:

Johan Scherft- Photorealistic 3D Paper Birds

I am blown away by this artist's attention to detail and patient creation of these beautiful forms.

Some preview images:




Super Neat!

I'll be catching up with you all soon. 



Tuesday, April 2, 2013

Sneak Peaks of "Selfish"

Here are some sneak peak photos from the show:
Acetate, Paint Pen, Monofilament, Painted Wall 
Plaster, Wall paint, cut paper, LED light, Glass paint
Wall paint, screen prints, masking tape relief.

JAW Cooper

Artist Spotlight!
Check out JAW Cooper. I am completely blown away. Dig the website but check out the blog also. I'm inspired.




Inkwork like this is lifeblood.
This is so remarkable I'm having a hard time dealing with it.




Tuesday, March 12, 2013

Expanding Angels

Another illustration on acetate. The gallery impends!
Paint pen on overhead projector sheets.




Thursday, March 7, 2013

The Drive

Sometimes I am driven to make works that don't focus as intently on my upcoming deadlines as I would like. Currently I have a spectacular amount of work to do for my upcoming gallery show, but nevertheless I struggle to resist the pull of an idea once it takes me. Here are a couple drawings I made as a sort of mini-break from my gallery focus.
 I'm feeling very proud of this one. The idea came to me as I was falling asleep and I was overjoyed to be able to make it come alive. Fountain pen on Watercolor paper.
And this really is just a fun doodle. Blue mechanical pencil! Owls! Retraces!

In progress and Peruvian Textiles

         Recently we had two women come to campus from the center for Traditional Textiles in Cusco. Nilda Alvarez is the founder of the Center and she came to teach classes and give lectures with the help of Antonia. Both women were absolutely amazing weavers to the point of gape-jawed staring.
Here's me in one of the gorgeous ponchos for sale at the trunk show accompanying the visit. I put it on and reveled in the glory. I put it back, but I felt good that the asking price reflected quality of the work and the intensity of the profession.

 Here's a table full of wonderful and spectacularly beautiful things for sale. The method of weaving used here is a warp faced technique and the colours are all natural dyes or natural alpaca colorations. I could go on and on about the technical mastery of these works, but just trust me, they're truly something exceptional and unique. 

And here's a little something from me! Part of the ongoing project that will culminate in the Hatton Gallery show the end of this month. Pins! Tape!

Wednesday, February 27, 2013

Andrew Beckham's Firmament

  Check out this article about the newest book by Andrew Beckham, a phenomenal artist and my high school art teacher: http://blogs.denverpost.com/books/2013/02/27/andrew-beckhams-firmament-an-open-eye-on-the-universe/?fb_action_ids=340813366018812&fb_action_types=og.likes&fb_source=other_multiline&action_object_map={%22340813366018812%22%3A298143883645739}&action_type_map={%22340813366018812%22%3A%22og.likes%22}&action_ref_map=[]

  Mr. Beckham has been continually supportive and encouraging throughout my development as an artist and continues to inspire me with his invested and intelligent work. Go be blown away by his photographs at the Walker Fine Art Gallery in Denver: http://www.walkerfineart.com/

Firmament book Cover by Andrew Beckham

Tuesday, February 26, 2013

Kendra Binney

http://www.kendra-binney.com
"Mismatched Parts #4"


This artist is phenomenal. Check out the magnificent use of colour and media. Not to mention the charm of the imagery and the technical mastery of form and anatomy. So excellent.
Of course I'm drawn to the bird images, but she's got quite a range of imagery on offer.
Yay!

Sunday, February 24, 2013

That's No Moon

This is for you all, because I love you.
If you're wondering what the object is, it's a Death Star tea infuser.

Words that Don't Exist

The logo I made for the blog I am co-administrating with my partner. Hooray!
Photoshop. I'm not an Illustrator guy.
Check out the blog!!!!
www.wordsthatdontexist.com

Tuesday, February 19, 2013

Twitter

I went and did it:

https://twitter.com/FlyingBaggins

 Follow my odd and curtailed ramblings if you so desire! Hurrah! 

Have a work in progress:


Exploring my black and white on brown concept within the media of fabric. Tea dyed muslin, black in, black ballpoint pen, and white ink to come. I've found that using a rectangular embroidery frame to stretch the fabric really helps for illustrating on it. 

Today was my bloggeriffic day.

And the rest

And here's some other hodge-podge from the studio of late:
Jellyfish! A valentine for my partner. Freemotion machine embroidery on silk with interfacing reinforcement. Whee! 
 This is the scratch paper from my Ornithology Lab Practical. I didn't need to work out any equations, so this happened. A blank sheet of paper near me is just too tempting. Also, those RSVP ballpoint pens smudge like the dickens. What gives?

Another self-portrait

This one was very visceral to make. I'm still working on it, although I'm afraid of pushing it too far.

Stippling techniques take for freaking ever. About three hours to get to this stage. I modeled the wings off of duck wings- I wanted them to feel awkward.

COMING SOON! Working with imagery of my body post- GRS. This is a hard set of works for me, but I have to admit I feel very empowered and energetic about it.

Self Portraiture Investigations

Some work I've been doing for an upcoming gallery show about self-portraiture. Ostensibly these are going to be made into screens and printed on fabric, but I'm finding myself growing more and more attached to the illustrations on the acetates themselves. We'll see how it all shakes out.

Oil based paint pen on overhead projector film.

Wednesday, February 6, 2013

Acetates for Screenprinting

These are both for screenprints I'm making. I have a gallery installation coming up the end of March, and these are part of the larger work. Both are sharpie paint pen on overhead projector sheets.



Sunday, February 3, 2013

Great Grey Owl Muslin

Part of work I'm doing for a large gallery installation in March.
Inspired in large part by the illustrated handkerchiefs by Chicano prisoners in Texas- called Penas.
Ballpoint pen and white pen on muslin cloth. Possibly going to be applique'd onto dyed cloth for the final rendering.

Tuesday, January 15, 2013

Chameleon

More of my current obsession with black and white on brown. About 3 hours or so on this guy.
9''x12''

Monday, January 14, 2013

Great Grey Owl

I thought you all might find this interesting, as it shows a bit of my process in making a block print image.

Collies with PhD's

When I was eleven my parents took my brother and me on holiday for a summer to a small piece of Britain near Cornwall. The closest town was a place called Boude, where you could (and I couldn't make this up) get a rump roast on Fridays that was advertised by a sign reading: "We have really big rump. When we say big, we mean BIG."

We stayed in the B&B that a farmer and his wife ran out of an old barn and were quite comfortable if a bit sniffly. The farm was a sheep farm and my entire family including myself have always struggled a bit with allergies. That's an understatement- each of us had to take two benadryl and a puff of an inhaler to go out the door in the morning.

Anyway.

It was a wonderful place and a great spot to learn a bit of responsibility while not being overwhelmed. The afternoons were more often than not taken over by one adventure or another; generally archaeological expeditions initiated by my mother which I liked then and have since come to appreciate in my own obsessive and intense way.

The mornings of that summer were rather our own. If I woke up late I would typically read on the couch or go up to the farm house to eat a late breakfast of the leftover cold eggs and play with the collie puppies.

If I got up on time, though, I could help the farmer move the sheep through pasture for a small amount of money, which I felt was a great deal since money bought candy and I could walk to the candy store in five minutes. So I often helped.

My tasks were really simple- use a wooden prod and help the sheep through the gate into the next pasture to graze. Mind the sheep (a process of standing), and make sure they don't get carried off by pterodactyls. This simple chore was further eased because of the chief collie dog of the farm who boasted a PhD from Oxford, multiple publications, a fellowship at the University of London, and a respected reputation both in Scientific and Liberal Arts circles. His day job did not require the full extent of his intellect, but he certainly could have done the job by himself were it not for his lack of opposable thumbs. 

Basically the morning went easily, with both me and the sheep being neatly nipped and herded from clover patch A to clover patch B, and occasionally into a sort of rumbling circle of sheep-ness with an errant human unable to do anything but follow stern canine instruction. Every so often, however, my opposable thumb magic was required. A gate would present itself between pastures and the collie would look at me with the intensity of a professor during a spoken final exam until I performed the small duty for which I was qualified. The other moment where I could earn my keep was to keep the sheep from drowning their (I hate to say it but...) stupid selves in the creek at the bottom of the hill.

Here's the layout of the farm: At the top of the southmost hill was the farmhouse, the converted barn in which my family stayed, a strange swimming pool, and a goodish patch of untended dirt and gravel. Sloping downward, the hill became two rich clover pastures separated down the middle by a gate. Pasture A and pasture B, if you follow. At the bottom of the hill ran what I can't even in good conscience call a stream. It was really a trickle. A streamlet. There was maybe three inches of water flowing there on a rainy day. This little rivulet was bordered on both sides by the picturesque English hedges of great fame. Twice the hedges were broken and craftily constructed bridges with high fences allowed us (the collie dog, with me stupidly bringing up the rear) to pass the sheep from pasture to pasture. On the other side of the streamlet, another hedgerow and mirrored pastures C and D, also with a dividing fence.

Now, despite the collie being so brilliant that he probably is now a contender for a Nobel prize in physics, the sheep were so monumentally stupid that they would actually avoid the nice open gate, struggle mightily over the hedge, and become trapped in the little run of water that thought it might be a stream of some kind. Then, as if they weren't absurd enough to have not listened to Sir Collie, the sheep would, of their own volition, lie down in the water and proceed to try and drown. Three inches of water, if you recall. My job was to heave their stinking, waterlogged, wooly selves back up, heave them over the hedge, and then somehow continue with my life.

When I was a kid, I was small. A small boy is useful, but when it comes to heaving sheep out of streams, they're not necessarily what should be your first pick. Generally my tactic was to push the sheep upright so that their face was out of the water, and then to encourage them to do their jumping trick to get back into pasture C or D. Sheep are stubborn as well as stupid, though, and more often than not I was forced to walk the sheep by its ear through the streamlet until the drainage pipe to the west of the plot where we could hitch back up onto the road and walk the long way around back to the farm.

It didn't matter how long this process took: when I returned to the pasture next in line I would find the collie dog waiting alertly and with remarkable self-possession. All sheep would be in the pasture, regardless of the closure of the gate or not. I would return the errant animal to the fold and the collie would usher me through, demand my closure of the gate, and then enjoy the freedom to herd his sheep and me while contemplating Descartes and possible futures for Middle Eastern countries.

A commission